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Simply Claes Bang is your first and largest fansite for everything about actor Claes Bang. You may know him for his role as 'Dracula' in Dracula by BBC or as 'Christian' in the film The Square. Here you'll find all the latest medias, videos, interviews, high quality photos, and more. For all news related to him be sure to check out our twitter account.

Claes Bang: ‘Could I do Bond? No, I'd be too old’   |   Written by Rich Pelley

The Danish actor, 53, on multilingualism, nudity, the joy of being in a band and why playing Dracula was such a gift of a role

My schooling in Denmark was quite a mess. I went to something like eight or nine primary schools. My parents moved around a lot and then they got divorced. I had new classmates every Monday.

We did a play in high school. Someone said, “Would you like to be in it?” and I said, “How could I? I’m not an actor.” They said, “Let’s just try, it might work.” I was terrified of applying to drama school. I was sure they would say: “Thank you very much for coming, but no thanks.” I was lucky to have been accepted.

It’s Claes to rhyme with face. That’s the easiest way. But I respond to whatever.

I’m more or less fluent in English, German, Swedish and Danish. You have to learn a couple of languages if you want to talk to people because nobody in the whole world speaks my language. I was fine playing Danish roles; I never went to Hollywood hoping something would happen. And then I was cast in The Square, which was like driving the Ferrari of acting. After it won at Cannes it all went from there.

I’m in a band called This Is Not America. I don’t think it’s true that every actor wants to be a musician and every musician wants to be an actor. If it is true, it saddens me a bit. For me it’s more of an antidote to being on stage or a film set, where people say, “Wear these clothes, stand in this light, say these lines in this way…” When I sit down with my piano or guitar, I get to call all the shots.

I’m not a method actor and I’m not an interpreter. I’m more like a piano that the director can play whatever he wants on. I’m an instrument that the music flows through. It sounds a bit stupid, but it makes total sense for me to work like that.

I’ve done so much naked stuff – I don’t have a problem with it. In Dracula I said, “OK, I’ll do it naked, then we’ll have so much more footage…” We filmed in Slovakia, so the only problem was it was freezing cold.

I call it “my naked duty”. I did an English play called A Bucket of Eels as my final production at drama school. I was naked for the entire play. My father left at the interval because he couldn’t bear it. I did a Danish play called Sauna that takes place in a sauna with four people who are fighting and fucking and shagging. The theatre only seated 50 people – the audience were so close they could have touched us if they wanted to.

The great thing about playing Dracula is that he’s a real people person. He doesn’t care if [his victims] are male, female, black, white, or anything in between. He’s just interested in a lovely conversation and a decent meal.

Is there a God? Um, I’m sure there is. I’m just waiting for him to make himself known to me.

When I came out of theatre school, some reviewer who was obviously very much in love with Pierce Brosnan said that she thought that I reminded her of him. I really liked him, but I’d be extremely displeased if someone came up to me and asked me for his autograph.

Could I do Bond? No. I don’t think so. Do you realise how old I am? When Daniel Craig started, he was in his late 30s. When they do the next Bond, I’ll be 60.

The Bay of Silence on is out on DVD

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